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Narrative-driven work interwoven with comedic angst, an interest in the Anthropocene, and an attention to motion. 

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✦ Can you tell me anything about yourself?

Beginning in Florida, I took inspiration to paint from my grandmother and father. After attending art school, I moved to Seattle, WA where I worked on murals and continued to develop my practice while obtaining a masters in Landscape Architecture. I'm inspired by the way design and systems are related to the human experience. When I'm not working on art, you can find me on aimless walks around the city, collecting found objects, or perfecting my Italian! 

✦ Are you open to commissions? 

✦ Do you do tattoo designs?

✦ Do you sell prints?

Yes! Please reach out to my email to inquire.

READ MY CURRENT ARTIST STATEMENT

My family name is Ruder. Originally my family name was Rutz. This name was altered to sound “more American” when my family immigrated from Poland during the Holocaust (though how Ruder sounds more American than Rutz is beyond me). This story is one of a few that remain through my family line. I love asking about stories of my past, and I have always been known as the archivist of my family. I would steal one photograph at a time from my grandparents until I had a nice curated collection in protected binders. I would place them in stories that felt fitting, exploring the themes of my ancestors and imagining what they were like, how they thought of the world. The emotions related to my past and my family history reverberate through my work as a longing feeling of unsettlement, like searching for answers to questions I can't ask. I am working create a body of work that can pass down stories and ponderings to my future family lineage. Recently, my work has surrounded the Anthropocene, a defined period of human influence in the span of Earth's lifetime. I believe that the environment that shapes a person can also reflect the inner emotions of that person through systems. When a city is chaotic, when streets are poorly designed, the system is not functional. When a person has a lot happening within themselves, when they have created their life in a manner that is not indicative of growth, they mimic the same dsysfucntion and chaos of the street. Landscape architecture unintentionally exposed me to the world of systems; sewage systems, rain cycles, commuting routes, noise pollution, etc. I began to see that some of the previously unexplainable parts of human suffering have some answers, as well as similarities to the suffering itself. I saw how the stories of the past gave meaning to the present. For example, trees communicate to each other through root systems and fungi signals. What happens when this network is broken by logging or a highway? Similarly, in many areas throughout the United States, communities are broken into pieces through highway implementation, something known as Red-Lining. I look at how these types of influence can reflect the suffering around them, and how the Anthropocene is a new age of environment. Moving forward, I aim to explore my experience as a Jewish woman in the south of the United Stateswhile continuing the theme of the Anthropocene and the lack of tradition in my life. I am from the Bible-belt, a part of the US that is heavily influenced by the Christian faith. The area where I'm from, the Panhandle of Florida, is a predominantly conservative and right-wing part of the US. I was one of 3 Jews in my school from the time I was 7 to graduation. I often tell others that my experience as a Jewish person is more defined by the bigotry I have faced in my youth rather than the traditions and knowledge of the faith. I am not personally religious, but the markers of the religion were often shown to me through others who mocked the faith. I want to reflect upon the feeling of anxiety that is a constant in my previous work while expanding the underlying themes to that of my life in the Panhandle. It is important to me to understand larger systems of influence within the every-day stories that I experienced and give such information to my family lineage and the public.

✦ PRESS

“Creating paintings is a way to make something that's going through the same thing as me, experiencing the same thing as me.”

"Yesterday evening, London’s cultural calendar reached a new high with the Grand Opening of the London Art Biennale, drawing thousands..."

The Chianciano Biennale 2024, one of the most anticipated cultural events of the year, was officially inaugurated yesterday by the Mayor...

education

2022 - 2025 M.L.A. University of Washington, Seattle, WA

2018 - 2022 B.F.A. University of Florida, Gainesville, FL

2016 - 2018 A.A. Northwest Florida State College, Niceville, FL

solo Exhibitions

2022   String of Reifications, The Fishbowl, Seattle, WA, USA

2022   Cacophony, 917 Gallery, Gainesville, FL, USA

Group Exhibitions

2025  London Biennale, Chelsea Old Town Hall, London, UK

2024   Chianciano Biennale, Chianciano Art Museum, Tuscany, Italy

2024   Page Turner, The Fishbowl, Seattle, WA, USA

2021   Untitled, The Gallery, Gainesville, FL, USA

2018   Final Exhibition, WARPhaus, Gainesville, FL, USA

2018   Always True, The SL8, Gainesville, FL, USA

publications

2025   London, UK, London Biennale, Selected Artists

2022   Tuscany, IT, Chianciano Biennale, Selected Artists

2022   Seattle, WA, USA, Extents, Vol. 5, Untitled

2020   Gainesville, FL, USA, Dinner + No Show, Vol. 5, Untitled

2020   Gainesville, FL, USA, Dinner + No Show, Vol. 3, A Portrait Through Abstraction

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